Trisha L. Renken-Sebastian (aka "Trisha Lynn" is a jill-of-many-trades. A former editor of both Wizard: Anime Insider and Sequential Tart, she has also been the managing editor for Saucy Goose Press, a small independent publisher, and contributed to a 2009 episode of the public radio show “This American Life.” She currently lives on Vancouver Island in Canada where she bides her time until she can create her own socially responsible media empire.
Back when I was in elementary school, the one book I had a love/hate relationship with was A Wrinkle in Time by Madeleine L’Engle. We read it in our GATE class because it was a Newbery Award winner and one of the first science fiction books aimed at children.
I thought the plot of the book was rather cool, but I wasn’t great at sticking to the same chapters as the rest of the class or turning in the vocabulary homework. As a result, the D- I got that semester was the lowest I ever received and I got into trouble with my parents.
Normally, I’d be posting this from either Manhattan or Brooklyn in New York City. However, thanks to this year’s December Snowpocalypse (or my other favorite, Snowmygod), I’m typing from my parent’s kitchen table where I will be mostly stationed for the next two days until my re-booked flight takes off on Thursday morning.
Call me crazy, but despite the awesomeness of being with my family, I really wish I were back on the East Coast experiencing the blizzard and its aftermath with the rest of my co-residents. Luckily, at least one New Yorker was inspired to make art from the storm: Continue reading “Trisha’s Short Film of the Day: “Idiot with a Tripod””→
Even though I’m not specifically a Star Wars fan, I do know what it’s like to be bullied or teased for looking and sounding or just being different from the other kids I grew up with. When I was younger, I lived in a pretty suburban area in Orange County, California. From when I was in kindergarten to when I was in the sixth grade, I had quite a few strikes against me: a) I’m Asian, b) I was smart, and c) I had (and still do have) a bit of a speech impediment.
Even now, as a grown woman working in a somewhat posh office in downtown Manhattan, I often feel awkward because I don’t dress like the other women who work in the office, and almost all of my geeky pop culture references go completely over the heads of the other people I work with. To throw in some more pop culture references, in an office full of Joan Holloways, I am a Peggy Olsen.
My ongoing technical difficulties have persisted, but now that I’ve finally got a clue and later edited out the parts with the poor audio, I’m happy to say that the analysis and live commentary on “Blind Drift,” the second episode of Top Gear USA is ready for your listening pleasure.
You can check it out below or in the right sidebar:
Please join us next week on Sunday, December 5 at 10:00 pm Eastern, when Kara Dennison and I (and perhaps a special guest) will be concluding our three-episode test and hope to answer the question: “Is this show actually any good?”
Due to my ongoing microphone problems, U.K. TV expert Kara Dennison and I are testing something new out tonight, courtesy of TalkShoe.com. Tonight, starting at/around 9:45 pm Eastern Standard Time (GMT – 5:00), we’ll be launching the “Geekly Speaking About…” live podcast series with our viewing and discussion of the second episode of “Top Gear U.S.A.” on the History Channel.
We’d love for you to join us, and to do so, all you have to do is sign up for an account, and after you’ve logged in and right around 9:45 pm Eastern tonight, click on the “Join In” button to hear the call and participate in the text chat room. The best part is that once we’ve finished recording the show and our afterthoughts, the show website will be automatically updated with a file you can download to listen to if you were unable to join us tonight.
If all goes well, we’ll be doing more live podcasts on a regular basis, and we look forward to hearing your thoughts.
I am not an ardent fan of hip hop by any stretch of the imagination, but I do appreciate it when something a hip hop artist does is neat, cool, or utterly mad.
I’d say that this maxi-music video from Kanye West, featuring “Runaway” and other tracks from his new album My Beautiful Dark Twisted Fantasy qualifies as being utterly, utterly mad.
In addition to being able to hear “Law & Order: Criminal Intent” actor Vincent D’Onofrio speak about his experiences directing his first movie, a slasher/musical called Don’t Go Into the Woods, the audience members at the Center for Communication screening and Q&A of the film heard from D’Onofrio himself that he had a meeting with people from Tribeca Films to pick up the film for distribution. However, when contacted, a spokesperson from Tribeca Films declined to comment.
Shot on a budget of $100,000 in upstate New York, the Don’t Go Into the Woods centers around an indie rock band who while taking a break from their “daily distractions,” end up disappearing one by one and dying from gruesome deaths, singing all the while. D’Onofrio and his collaborators Sam Bisbee, (co-executive producer, co-screenwriter and composer) and Joe Vinciguerra (co-executive producer and co-screenwriter) answered questions at the Q&A session, which was moderated by Brad Balfour from the Huffington Post.
About the production process, D’Onofrio said that there isn’t a big difference between writing a love song and writing a song about death, and added that there wasn’t any CGI used in the production. Also in attendance was one of the actors, Cassandra Walker (Ashley), who said that while she heard the music before reading the script, the concept was a bit wild to her.
Finally, D’Onofrio proved that he was well-versed in horror film lore by expounding a bit on “refrigerator logic” and how it applies to his film:
Further details about a release date for Don’t Go Into the Woods will be added to this article as they become available.
Thanks to Lyssa Spero for contributing to this article.
Thanks to some technical difficulties which were not present when we conducted our tech test about 1.5 hours before its premiere last night at 10:00 pm, we were unable to produce the audio for the live commentary between myself and Kara Dennison as we watched the first episode of the U.S. version of “Top Gear.”
Thankfully, there was nothing wrong with our fingers, and so just in the nick of time, we hied ourselves over to Google Chat to record our thoughts about the first episode of “Top Gear U.S.A.” on the History Channel: Continue reading “Geekly Speaking About… “Top Gear USA” Episode 1″→
As a liberal-minded geek, I try and donate to charity whenever I can because I believe that helping other people and being altruistic is a pretty cool thing. Also as a kid, I spent almost an entire week strapped to a bed at the Childrens Hospital of Orange County in California after a kidney surgery.
As a result, every year since Jerry Holkins and Mike Krahulik from Penny Arcade started their annual toy drive called Child’s Play, I’ve tried to buy a toy from the list that I know will be used to help a kid just like the one I was. Whole groups of people have created satellite organizations to help raise more money for the charity, and my favorite out of all of them is Desert Bus.
No matter what kind of geek you are, there’s something that all of us share in common which makes us different from aficionados, hobbyists, and dabblers.
When we were younger, we got teased and bullied. A lot.
In his book The Happiest Days of Our Lives, writer/actor Wil Wheaton wrote extensively of how being a little smarter and a little more shy than other kids in his elementary school classes lead to his taking one in the face during an “innocent” game of dodgeball. The fact that Wheaton went on to star as an actor in such geek-centric TV series like “Star Trek: The Next Generation” and “Eureka” doesn’t completely obscure the fact that he still feels and remembers that pain from over 25 years ago.